To fulfill Connessa Collective’s vision to promote and commission new works by living composers that celebrate diverse musical traditions, our annual World Music Fest includes a performance, lecture, interview and workshop and is headlined by the commissioned composer artist.
World Music Fest brings composers and local musicians from diverse backgrounds together to co-create our programming and ensure representation without appropriation. Artists and culture-bearers involved are compensated fairly, which promotes visibility and opportunity for underrepresented communities in San Diego County. World Music Fest takes place at carefully selected venues located in culturally rich neighborhoods that are accessible to diverse audiences.
Through this initiative, audiences of 300+ are exposed and invited to participate meaningfully in new chamber music, one or more living composers contribute much-needed new compositions to the existing world music repertoire library, and local San Diego County neighborhoods are highlighted as cultural centers each year.
If you are interested in funding this program, click the button below or contact us at hello@connessacollective.org.

For our first annual World Music Fest on April 26, 2026, we had the honor of collaborating with and hosting The Mbira Renaissance Band from Edmonton, Alberta, Canada. The performance was entertaining, moving and educational – nothing short of spectacular. Nearly a hundred audience members spent the evening dancing, chanting, soaking up a new soundscape, and connecting with each other in ways that only music makes possible.

Frontman Chaka Zinyemba welcomed the audience into the music by sharing stories of his childhood in Zimbabwe, the history and the importance of the mbira instrument to his people, the Shona people. Chiedza Zinyemba (hosho, conga, vocals) fascinated the crowd with her harmonies and her explanation of the hosho and its ancestral role in Zimbabwean music.

On guitar, Geo Koufogiannakis shared his infectious energy through soulful, driving solos. James Stuart was unwavering in his bass guitar, expertly blending a Western rock instrument with the Mbira and hosho sounds. And at the center of it all, Tony Flanagan on drums gave a masterclass in the art of simultaneous creativity and stability.

Toni Cortez-Aguilar (contrabass flute), Everardo Aguilar (trumpet) and Valerie McElroy (flute), the event's local collective, joined the band on a few numbers to add unique tone colors and dynamic solos. Cross-cultural collaboration between artists, art and audience is at the core of Connessa Collective's mission – and perhaps the most striking demonstration of that collaboration was the world premiere of a new composition written solely for this event.

“Shiri Yakanaka ('a beautiful bird') ... brings the mbira and flutes together in a unique, one of a kind way — adding wonderful contrast, texture and breath to the band's sound. In this song, the singer courts a bird returning to the community during the spring, asking it to stay in return for a song (you hear this courtship through the interplay between the vocals and the flutes). It’s a song about the human desire for companion- ship and interconnectedness beyond the artificial boundaries we have placed between one another.”
– Chaka Zinyemba, on Substack

Chiedza, Chaka, Tony, Geo and James embody cultural and musical collaboration. Their backgrounds and ancestral lines are varied and broad, but what they create together is a celebration of music and community. Being present with Mbira Renaissance was a joy and a privilege every moment. From the group's professionalism to their camaraderie, musicality and genuine humanity, we left the weekend with souls full of hope that music truly can build bridges and connect us all.